Dutch Colonial Revival architecture

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Dutch Colonial Revival architecture

Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival," a subtype of the Colonial Revival style.

Revival in the 20th century

Stepped gables on early 20th-century Dutch Revival buildings on S William Street in Lower Manhattan recall the Dutch origins of the city.
West End Collegiate Church at West 77th Street
Beginning in the late 19th century, America began to look back romantically upon its colonial roots and the country started reflecting this nostalgia in its architecture. Within this Colonial Revival, one of the more popular designs was a redux of features of the original Dutch Colonial.
Within the context of architectural history, the more modern style is specifically defined as "Dutch Colonial Revival" to distinguish it from the original Dutch Colonial. However, this style was popularly known simply as Dutch Colonial, and this continues to be the case today. In New York, for instance, the actual 17th-century colonial architecture of New Amsterdam has completely vanished (lost in the fires of 1776 and 1835),[6][7] leaving only archaeological remnants.
Up and through the 1930s, Dutch Colonials were most popular in the Northeast. While the original design was always reflected, some details were updated such as the primary entryway moving from the end to the long side of the house. The more modern versions also varied a great deal with regard to materials used, architectural details, and size. For example, one Dutch Colonial might be a small two-story structure of 1,400 square feet (130 m2) with dormers bearing shed-like overhangs, while another larger example would have three stories and a grand entrance adorned with a transom and sidelights.

Buildings

Examples of urban style of Dutch Colonial Revival architecture can be found in Manhattan, New York. 57 Stone Street was rebuilt in 1903 by C. P. H. Gilbert on behest of the owner Amos F. Eno. The buildings to the back on South William Street 13-23 also were reconstructed in the Dutch revival style, evoking New Amsterdam with the use of red brick as building material and the features of stepped gables.[8] Stepped gables on early 20th-century Dutch Revival buildings on S William Street in Lower Manhattan recall the Dutch origins of the city. The area was declared a historic district in 1996 by the New York City Landmarks Preservation Commission.[9]
The Children's Aid Society had a number of its centers constructed in the Dutch colonial revival style, such as the Rhinelander Children's Center at 350 East 88th Street, the 6th Street Industrial School on 630 East 6th Street, the Fourteenth Ward Industrial School at 256-258 Mott Street, and the Elizabeth Home for Girls at 307 East 12th Street.
West End Avenue saw a large number of buildings designed in the Dutch colonial revival style. The West End Collegiate Church was modelled after the Vleeshal at the Grote Markt in Haarlem.[10]
Further examples in New York City are the former George S. Bowdoin Stable at 149 East 38th Street, 119 West 81st Street, and 18 West 37th Street.[11]
An industrial example was the Wallabout Market, designed by the architect William Tubby and constructed in 1894-1896. They were demolished in 1941 during World War II.
Sunnyside in Tarrytown, New York was partly constructed in Dutch Colonial revival.
112 Ocean Avenue, a Dutch Colonial home, became infamous as the site of the "Amityville Horror."

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